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Dedicated to the citizens of Mason County, Washington since 1886
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"Run Lola Run" has returned to select theaters for the 25th anniversary of its American release, and rewatching it reminded me of everything that made the independent cinema wave of the 1990s so special. The period between the fall of the Berlin Wall on Nov. 9, 1989, and the terrorist attacks on Sept. 11, 2001, stands as a unique island of relative serenity within global political history, because with the Cold War of the preceding four-and-a-half decades seemingly resolved, and the "War on...
"Jim Henson Idea Man" sees Ron Howard apply his best directorial strengths to a fittingly heartfelt biography of the man who made his name as the creator of the Muppets, although Howard follows Henson's own example of being quick to credit all of Henson's many creative partners, starting with Jim's since-deceased widow, Jane. Jim Henson was only 53 years old when he died in 1990, and yet, his imagination birthed more characters, television shows and movies than even his more devoted fans can...
"Furiosa: A Mad Max Saga" is the direct sequel to 2015's "Mad Max: Fury Road" and the fifth installment in writer-director George Miller's "Mad Max" series, which started with the first "Mad Max" film in 1979. Reports of its apparently underwhelming box office over the Memorial Day weekend leave me wondering whether audiences have grown weary of this 45-year-old franchise. If so, it would be a shame, because "Furiosa" sees Miller firing on all cylinders, not only in staging engagingly elaborate...
I don't know what I was expecting from an extremely loose sci-fi adaptation of Henry James' 1903 novella "The Beast in the Jungle," but I don't think anyone could have expected Bertrand Bonello's "The Beast." When he was 12, Bonello became interested in film after watching horror movies from directors, including David Cronenberg, George A. Romero, Dario Argento and Lucio Fulci. Bonello's taste has always been top-notch. But with "The Beast," Bonello quietly goes for broke in recreating a...
After a quartet of specials near the end of last year, the latest season of "Doctor Who" is underway on its new American streaming home of Disney+, so with a little more than three aired episodes under his belt, it's time to take stock of the 15th Doctor, played by Rwandan-Scottish actor Ncuti Gatwa. Alert viewers may have already spotted Gatwa as one of the army of Kens who populated the cast of last year's "Barbie" (sporting frosted blond hair, no less), but what strikes me about his...
It looks like Forks won't be the only corner of the Olympic Peninsula to gain fame from a supernatural entertainment franchise, given the critical and audience acclaim that Netflix's "Dead Boy Detectives" have garnered since all eight episodes of their first season began streaming April 25. The original "Dead Boy Detectives" were co-created by writer Neil Gaiman for his DC Comics Vertigo imprint series, "The Sandman," and just as Netflix began adapting that 75-issue, 1989-96 comic book title wit...
It's a rare treat for me to be able to review the work of a hyper-local filmmaker, at the very least because they tend to be savvy enough to take advantage of the natural landscapes we share here in the Northwest. When Bainbridge Island-based Rachel Noll James wrote, directed, co-produced and starred in "Ingress," she made it practically in her backyard, but the meditative sci-fi film has more than pleasant settings to recommend it. That being said, cinematographer Dan Clarke deserves...
After seeing her star-making turn in Martin Scorsese's "Killers of the Flower Moon" last year, all that Hulu had to do to get me to watch its true-crime miniseries "Under the Bridge," which began streaming its first two episodes April 17, was to cast Oscar-nominated Native American actress Lily Gladstone as one of its leads. Gladstone plays Saanich Police Officer Cam Bentland, a composite character representing local law enforcement in this miniseries' dramatization of the real-life 1997 murder...
I'd meant to see "Dumb Money" near the end of last year, but recent absurdities in the news had me feeling weirdly nostalgic for the comparatively quaint online firestorms of the COVID era. Indeed, while the art of cinema has progressed now to where many movies have incorporated the realities of social media into their narratives, "Dumb Money" is the first film I've ever seen in which Reddit, as a forum, has legitimately earned a supporting cast member credit. Because the filmmakers wisely...
As was the case with 2021's "Ghostbusters: Afterlife," I registered the divergence in reactions to "Ghostbusters: Frozen Empire." As with the previous film, many reviewers can't seem to stand it, whereas audience reaction scores have been overwhelmingly positive. "Ghostbusters: Frozen Empire" is not a film whose screenplay will be studied by future film nerds for how well-constructed it is, in the way the original "Ghostbusters" and 1985's "Back to the Future" are now. But what's ironic is...
I somehow missed "Saint Maud," the 2019 debut film by writer-director Rose Glass, but after seeing "Love Lies Bleeding," which Glass directed and co-wrote with Weronika Tofilska, I'm definitely checking out whatever she has to offer from this point forward. "Love Lies Bleeding" is quite possibly an even more lesbian film than "Drive-Away Dolls," which I reviewed just a few weeks ago, but this is in no way a criticism. For a London-born gal whose lifespan post-dates the 1980s, Glass has a knack...
Denis Villeneuve stuck the landing. I've only followed Villeneuve's filmmaking career since "Sicario" in 2015 - he's been directing feature films since 1998 - but every film he's made from "Sicario" forward, including 2016's "Arrival," 2017's "Blade Runner 2049" and 2021's "Dune," has been virtually flawless. "Dune: Part Two" is no exception, as Villeneuve gives Frank Herbert's 1965 epic science fiction novel the cinematic adaptation it's always deserved. Even brilliant auteurs that include...
Minor spoiler to start: "Drive-Away Dolls," contrary to its mildly misleading trailer, is not set in the 21st century. This matters because this period piece from 1999 is probably a golden mean between an absence of cellphones, whose presence would preclude most of this film's plot points, and a relative level of LGBTQ acceptance in society, which allows our lesbian protagonists to be careless over the course of their misadventures. It also matters because "Drive-Away Dolls" represents a...
This year's Academy Awards are coming up next month, but I've never been any good at predicting the winners, so I thought I'd look back at a film that was nominated for eight Academy Awards 30 years ago and didn't win one. When "The Remains of the Day" premiered in 1993, my tastes ran more toward Miramax than Merchant Ivory, but a family friend recently suggested to my mother, the retired English teacher, that they give the film a second viewing. My mom had taught the 1989 Booker Prize-winning...
In adapting Martin Amis' 2014 novel, "The Zone of Interest" to the big screen, writer-director Jonathan Glazer takes seriously the phrase, "the banality of evil," originally popularized by Hannah Arendt in 1963. Arendt and Glazer express the legacy of the Nazis during World War II by focusing on how they hid their evil in plain sight, behind a screen of domestic mundanity. Glazer's adaptation of "The Zone of Interest" lacks a plot, as it centers on German SS officer Rudolf Höss (played by...
It's a measure of how far pop culture has progressed that "The Iron Claw" is neither Zac Efron's first critically praised performance, nor is it the first film about professional wrestling to earn critical acclaim. "The Wrestler" revitalized Mickey Rourke's career 16 years ago, and Efron's performance was the best thing about "Extremely Wicked, Shockingly Evil and Vile" five years ago, but what still makes "The Iron Claw" stand out is how successfully it simulates a specific era of professional...
The cold weather has had me housebound, so no trips to the movie theater for me. Instead, I bunkered down and caught up on streaming series as two shows ended their seasons and another made its premiere. The first season of "Monarch: Legacy of Monsters" on Apple TV+ had solid performers, but not all of their characters were written equally well. It often felt as though father and son Kurt and Wyatt Russell were carrying the show in their flawless portrayals of the older and younger versions of...
As a Washington boy, there's no way I wasn't reviewing this week's premiere of "The Boys in the Boat," based on the 2013 book by Daniel James Brown, about the University of Washington rowing team that competed in the 1936 Summer Olympics. I was joined during my screening by a fan of the book, retired English literature teacher Linda Boxleitner, my mom, who lives in Cape George, and my insights below borrow liberally from her own. I tend to see films about sporting or athletic competitions as...
"Ferrari" is every inch a Michael Mann film, which means its acting, cinematography and production are all impeccable, but for once, I didn't find the result entirely compelling. Mann has sought to make this movie since the turn of the millennium, which makes sense. Mann's obsession with propulsion likely inspired lesser directors such as Michael Bay. Mann's narratives tend toward masculine protagonists, who pathologically need to pursue that which could lead to their own unraveling. Within the...
I've shilled for this one before, but unlike "Die Hard" or "A Christmas Story," it has yet to make the jump from a holiday curio to a beloved Christmas classic, so here's hoping I can make it happen this time around ... It's that drowsy week between Christmas and New Year's, when you're still in a festive mood, but you've run out of options for holiday viewing that you haven't already seen. You've already watched "A Charlie Brown Christmas" and "It's a Wonderful Life," you know the adaptations o...
Whether you're looking for childish flights of fancy in the cinema or suspenseful spy thrillers on streaming, this week's reviews have you covered. "Wonka" smartly seeks to appeal chiefly to those who know of its title character through 1971's "Willy Wonka and the Chocolate Factory," starring Gene Wilder, rather than Tim Burton's "Charlie and the Chocolate Factory" in 2005, starring Johnny Depp, or Roald Dahl's original 1964 novel. Wilder's Wonka shared some of the less-than-kid-friendly edge...
It was one of the most daring moves on what would become one of the most popular shows on television, and it started because the actors were delivering their lines so quickly that the episodes were running short on time. By reader request, we're reviewing the second season of "Moonlighting," which originally aired from the fall of 1985 through the spring of 1986, and which is now streaming on Hulu. Even though it boasted more lines of dialogue per episode than any other hour-long scripted show...
Too many of my fellow critics of cinema have a long and unfortunate history of refusing to acknowledge the artistic validity of any number of specific genres of film, until they're forced to do so by an emerging popular consensus that proves so broad and strong that it threatens to render their perspectives culturally irrelevant. Once upon a time, gangster flicks were considered as soulless and formulaic, as fine folks such as Martin Scorsese have deemed the majority of modern onscreen superhero...
Welcome to the Disney era of "Doctor Who." Once upon a time, there was a globally popular, decades-spanning sci-fi TV series about a mythic alien trickster who changed into different lead actors every few years and who traveled through space and time in a disappearing blue box that was bigger on the inside than on the outside. As the narrative became less accessible to casual viewers, due to the compounding complexity of its many backstories, it only took a handful of ill-considered revisions...
The Apple TV+ streaming service delivered a couple of solid sci-fi series these past few weeks. Nov. 17 saw the premiere of the first two episodes of "Monarch: Legacy of Monsters," which is slated to last at least 10 episodes total, running weekly through Jan. 12. "Monarch" is set in Legendary and Warner Bros. Pictures' "MonsterVerse," and I'd recommend having seen at least 2014's "Godzilla" and 2017's "Kong: Skull Island" before starting this one, which I suspect might also soon encompass the...
